The first artwork created for the Nhow Amsterdam Rai project was the figure associated with Japanese culture. A geisha holding a pai pai fan floats in the middle of a background flooded by a traditional Japanese pattern, this pattern enters some areas of the figure and merges with it, diluting the visual boundary where the figure begins and the background ends.
The figure associated with Scottish culture, with a markedly modern aesthetic, incorporates a variety of tartan patterns in the different elements of his clothing with which I developed a visual proposal rich in nuances and colours. The strength and vigour traditionally associated with this culture is represented through a subtle ‘Gentleman Hipster version’ style that brings a dose of sophistication and elegance to the character.
PATTERNS: The headboard and wall patterns are intended to create an atmosphere of British elegance full of sophistication and seduction,
The traditional aesthetic of the Netherlands, popularised in Western culture through iconic works by Dutch painters, is transformed into a female representation that I would define as ‘Hipster-PopArt’, because of the unusual mix of elements and styles associated with both visual trends.
PATTERNS: The patterns for headboard and walls, with a markedly Nordic feel (which seeks to combine Nordic and Dutch culture) seek to generate serenity through a soft chromatic palette and an iconography that avoids stridency.
Africa is probably the most culturally rich continent on the planet, a land where literally hundreds of cultures coexist. This depiction of a female character (symbolising women as the true engine of Africa’s evolution in every sense) is not intended to focus on any particular culture, but to express the iconic beauty of the essence and nuances that shape the dynamics of its aesthetics and idiosyncrasies.
PATTERNS: The patterns for headboard and walls are highly allegorical, both in their colour palette and motifs, of Africa and its visual hallmarks.
My Pop revision of the millenary Indian culture is materialised in a composition starring a Sadhu ascetic, a type of monk who follows the path of austerity to obtain enlightenment and happiness. Through a PopArt transformation (always with respect) I develop an iconographic character that stands out for his deep presence and feeling of mystical transcendence.
PATTERN: The dominant kaleidoscopic pattern on the headboard and wall enhances the aura of magic and exoticism of the composition.
The visual richness of the Andean culture, its music and aesthetics, full of bright colours and complex patterns, is the protagonist of the proposal for the Suroeste rooms. This representation updates the signs of identity of this culture, taking it towards an iconic and modern PopArt vision.
PATTERNS: The patterns for headboard and walls, in warm chromatic tones, seek to expand the initial concept of Andean culture and extend it to all of South America.